Poetry

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01 Sunflower Sutra

Allen Ginsberg

Unholy battered old thing you were, my sunflower O my soul,”

“we’re not our skin of grime,”

“we are blessed by our own seed,”

“we are not our dread bleak dusty imageless locomotive,”

“we are blessed by our seed.”

The poem unfolds at the edge of American industrial civilization, in a railroad yard scattered with tracks, rusting locomotives, soot, oil, and abandoned metal. Walking there with Jack Kerouac, Ginsberg encounters a sunflower—withered, bent, and blackened by coal dust.

This is not the radiant sunflower of an open field. It appears instead as a body discarded by the industrial world: exhausted, damaged, and coated in grime. Yet Ginsberg refuses to see it merely as an emblem of defeat. Within its ruined surface, he recognizes an irreducible vitality: the architecture of seeds, the instinct to turn toward light, and the original memory of the sun.

Image source: wikipedia

02 Ah! Sun-flower

William Blake

Ah Sun-flower! weary of time,

Who countest the steps of the Sun;

Seeking after that sweet golden clime,

Where the traveller’s journey is done;

Where the Youth pined away with desire,

And the pale Virgin shrouded in snow:

Arise from their graves and aspire,

Where my Sun-flower wishes to go.

Blake places the sunflower within the cycle of time. Day after day, it follows the sun’s course across the sky. Weariness does not make it turn away; instead, it deepens its gaze. Amid changing seasons and passing light, the flower quietly preserves its direction toward a golden realm.

Image source: nicholas-phan.com

Painting

01 Vincent van Gogh — Sunflowers

Van Gogh’s Sunflowers are widely associated with warmth, friendship, gratitude, and vital energy. Through luminous yellow and rhythmic brushwork, ordinary flowers are transformed into images of intense emotional warmth. The flowers’ different stages of life do not merely suggest fading; they present the full and truthful cycle of life—blooming, changing, maturing, and continuing to exist with dignity.

02 Claude Monet —

Bouquet of Sunflowers

Monet’s sunflowers reflect the Impressionist appreciation of fleeting light, color, and everyday beauty. Rather than relying on symbolic narrative, the painting uses lively and nuanced color to reveal the calm, abundance, and poetry within an ordinary interior moment. It reminds viewers that beauty is not distant—it can be found in daily life when it is attentively observed.

03 Gustav Klimt — Sunflower

Klimt’s Sunflower is often interpreted as a celebration of natural vitality, independence, and inner abundance. The flower appears like a quiet yet self-assured individual, standing upright and whole within a richly complex botanical world. Blending close observation of nature with decorative beauty, the painting suggests a harmonious, abundant, and dignified relationship between humanity and nature.

Movie

01 Under the Tuscan Sun

Beneath the Tuscan light, the sunflowers embody the heroine’s renewal: after loss, she learns to root herself in life again and welcome its abundance with courage.

02 東京日和(Tokyo Biyori)

With their quiet brightness, the sunflowers reflect the couple’s shared everyday life, reminding us that love grows not only in grand moments, but also in the simple act of seeing one another.

03 Счастье (Happiness)

Blooming gold across the countryside, the sunflowers turn the characters’ idea of happiness into a simple, vigorous longing for freedom found in land, sunlight, and labor.

04 いま、会いにゆきます (Be with You)

Turning toward the summer light and the possibility of reunion, the sunflowers tenderly suggest that love can continue to bloom in memory even across separation and time.

05 くちびるに歌を (The Sense of Wonder)

Standing tall in the wind, the sunflowers mirror the children’s journey toward finding their own voices, suggesting that life can still reach for light, music, and hope through uncertainty and loneliness.